Sunday, May 5, 2013

Tuesday Poem - Sky Burial by Ali Alizadeh









Sky Burial
for John Kinsella

I really want to be fed
to vultures when I’m dead. My toddler

on the verge of using spoon
will be assigned to serve, when I’m done

his father’s cadaver, sliced and spread
to sky’s black scavengers. Why not

– my wife often asks – cremation
à la her desired dissemination

of charred fragments in the breeze
wreathing a mountain range? I answer

and confess. To a lifetime of feasting
on birds. (She’s baffled, a vegetarian

alien to guilt accumulated
in the gullet of a carnivore hooked

on the thighs, breast and wings
of the avian.) A concatenation

of culinary memories. Chicken
kebab: grilled squares stabbed

onto a bayonet-like skewer
at my uncle’s wedding just before

the War. Poultry so scarce in Tehran
the viscous taste became a hunger

for an end to Saddam’s bombing raids
and when Mum did somehow bring home

a frozen, beige clump and cooked us
khoresht baadenjan with morgh

the other three in the family gave me
– without my comprehending

the complexity of their munificence –
all the tender, fatless, skinless fillets

and I devoured. When we finally fled
the acerbic scent (‘secret herbs, spices’)

of cheap deep-fried flesh, vital
emblem of the American empire

galvanised my senses upon arrival
in Australia. Chiko Rolls at the tuck shop

(made with mutton, I later discovered,
despite the name) diverted, occasionally

from the howls – “Speak English!
Say something, camel fucker!” – and then

smoking with a surfie dope-dealer
who worked at Red Rooster between art

classes at university. I lived off
bread, baked beans and starchy noodles

but for a treat – to recover
from rejections by girls, ridicule by lecturers

who found my thoughts and paintings
pointless – I’d resort to a sodden

marked down BBQ chook
wilting below the deli counter, late

at night in a Gold Coast supermarket
biting the singed bird’s sinews

with terrible anger. Finally I left
for Melbourne to ‘make it’ as a poet

and to locate a hypothetical woman
who’d tolerate me. When I did find her

I also found (to my gastronomic
terror) she was a vegetarian. The end

of my fetish for feathered beasts? Hardly
could you call her a proselytiser

but what a traveller. Honeymoon
in Vietnam: tofu tossed with lemongrass

for her, pieces of quails and other murdered
birds decked my chopsticks. In China

I struggled to order without
embarrassment at the restaurants

since ‘chicken’ in Mandarin
distanced by one tonal accent from

‘prostitute’. And so on. Tavuk
shish kebabs in Istanbul, turkey strips

(ersatz bacon) in Dubai. Can this
addiction be assuaged by the virtues

of ethical consumerism, barnyard
fowls? My wife looks away. The truth

hurts even more because what’s wasted
on feeding me meat becomes heat

and melts the world. And I had
a pet rooster once, regal with his red crown

fierce after the targeted killing of my
sister’s speckled hen by one of Tehran’s

infamous crows. I can still hear
my rooster’s sad, lonesome howl

creep out of his quivering beak
when I enjoy murgh tikka masala (or shamefully

for an anti-capitalist, a Zinger). I cringe
past the glistening corpses of Beijing ducks

but my mouth moistens. So please
a secular sky burial for me. A machete

doing the work of maggots’ teeth
on my dead body. And proffer the chops

to the vultures to apologise for a lifetime
of eating their kind. Aquiline beaks

tearing morsels of my muscles
and then tenderised and regurgitated

for frenetic, squawking chicks.






Monday, April 29, 2013

Tuesday Poem - we are farmed out by Jennifer Compton



we are farmed out

the eau-de-nil cabbage cooling on the plate
the towering aunt with the voice like a shriek
—the good child gets sent to the worst place

she doesn't give a backward look when her distracted
father drops her and drives off—she has been told to
be good and she has learned very well how to be that

the big boy locking his sister in the wardrobe
she screamed and she screamed and everyone
got smacked and shrilled up and down the hall

like a flock of angry birds with glittering eyes and sharp beaks
and the cabbage—again—and diarrhoea mince and the spuds
with black tadpole eyes and then the horror of shampoo night

wrenched backwards over the bath like a sacrifice
the amber bar of soap wielded like a flame-thrower
I could hardly open my stinging geranium-red eyes

and after all that goodness, no baby sister, she died
it was home to a sad mother and a drinking father
or maybe I had become a noticing kind of child

 
    

Monday, April 15, 2013

Tuesday Poem - The Deep End by Ali Alizadeh








The Deep End

i

It was pleasant. The cool
evanescent sensations

on my chest. The laughter
of my cousins. All of us

wading in the shallow end
under the hypothetical gaze

of chitchatting parents
enjoying respite from

the bombing raids, this scene
of kids’ water play at my uncle’s

in Tehran. Mummy somewhere
in the background, my father

there too. Warm, effervescent
stuff. Add in ice cubes

bubbly drinks, juicy cherries
on foldout table by the rim

of the pool, and dissonant
babble of wet children. Why

did I stray away towards the deep
end? I knew I couldn’t swim.

ii

The summertime bliss
of a child’s inexperience, my boy’s

hairless body, a slate
clean of all but the most

primal connotations. But where
was ‘love’ – of parents, uncle

my own – when I felt my grasp
slip from the tiles at the edge

of the pool? Had my sociable
guardians’ passion to prattle superseded

the chore of guarding me? Perhaps
they were gossiping about someone’s

daughter losing her suitor, money
wasted on a despised relative’s

fortunately failed venture,
the opulent house purchased

by a favoured relative, and hoping
to awe everyone by finally migrating

to the West – just as my feet
slipped over the drop into the deep

end. Water swamped my nostrils,
ears, mouth. I was drowning.

iii

My father fished me out. Did he
think it normal that little boys be

curious, reckless, tempting
death? Yes, but I never told him

that in my brief descent
I’d seen underwater the azure

of the pool’s walls and
nothing else. No maritime beasts,

no eels or octopi of Captain Nemo’s
abyss (as promised by a book

Mummy had given me) no light
or angels, no finality of an end

(as divined by my grandmother’s
Islam.) Only an absolute, monochrome

void. I’ve never told my father
I’d sunk into the infinite emptiness

of dying. Later he dried his hands,
resumed the talk about his job,

his plans to move us from War-torn
Iran to the West. I coughed up

water, shivered in the folds of the towel
and withdrew. I didn’t care for

– and could never again really care for –
the glass of sugary cold sherbet

Mummy had poured for me.



This poem comes from Ali's wonderful book Ashes in the Air (UQP) which was short listed for the Prime Minister's Literary Awards in 2012.

http://www.uqp.uq.edu.au/book.aspx/1120/Ashes%20in%20the%20Air