Talking To You 
It is 2 or 3 o'clock
in the afternoon.
I'm sitting here, reading
O'Hara's poem
the one that begins
"It is 1.55 in
Cambridge"
he's at Jimmy's place (I'm
at the desk)
looking
sad &
wistful.
I am
too &
why not—drinking the
very last 
of my bourbon, a drink I have
slowly developed a taste for
(since my
birthday, when I got it,
& now, nearly nine months
later)
(Thankyou,
Julie & Neil).
In this poem
(it seems I'm
talking 
to you now)
O'Hara says
what will happen to him?
& what about some 
poems he mentions
What about me?
will I ever get given
bourbon again?
& what about the poems I
might write?
will they ever get written?
& suddenly
an amazing self pity
comes
'over' me
I could almost have asked
those questions
seriously.  Otis
Rush is
no longer
on the record player
has not been
for hours
though the light on the record
player glows
but the 
intense sad notes 
still 'haunt' the air, &
affect the view
out 
through 
the bars
of the street 
& factory 
across the road, with their 
own grid
of wire & bars
on all their windows
—staring back
the sunday traffic,
occasionally, roaring past
I get up, & put on 
Lou Reed's
'Rock n Roll', 
which I love.  It 
always makes the bars
seem more 
neutrally rigorous
which is
how I'm beginning to feel 
now.   I've 
always wanted to do something 
as good as 
'Rock n Roll' though I'm 
not doing that now.
but something continuously
'repetitive'
but not static
that moved,
that was
a continuous 'prolongation'
of a single
mood,
'intellectual'
but
unthinking,
physical
That's what I tried to do in
Terrific days
though then
I did not know "Rock n
Roll" so well
though I must've heard it.
But that was partly my
intention.
Something tells me
not to leave this poem,
as I   stand now
drumming on the page
interestingly,  to the intro to
"Sweet Jane", 'torn'
between the feeling
that I have
nothing to say,
& that
—if I leave it—
to pick up later
I will not
finish the poem
Here is just one of the lively pieces from Ken Bolton's Selected Poems, published by Shearsman Books. The book is extremely lively, and even borders on iconoclastic! I had the pleasure of hearing Ken read at Collected Works in Melbourne and my goodness, he can put a poem across.  
http://www.shearsman.com/pages/books/catalog/2012/bolton.html

 
 
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