Monday, November 19, 2012

Tuesday Poem - The Landscape by Mary McCallum

 
 
The Landscape
 
My father serves lunch, lifts
the salad with servers, offers
a dish of olives,
the muted light stroking his
 
hands, head bent as if
in a pew, paler
than I think of him.
On the pergola
 
above, the leaves of the vines
are ecstatic and lime-bright,
a scribble of veins,
tendrils, shadows - a reminder how light
 
both clarifies and complicates -
how a simple landscape of skin, let's say,
can become a whole atlas.
Here the x-ray,
 
there the scan.
The chickens
pant in the hedge.
He chops bread

and chunks of cheese, lays
one on the other
passes it across the table
to my mother,
 
his hand a plate. She's feeling
the heat, longs to be cool
 inside with a book, is looking
up, grateful

for the vines, for the lean of the tree
beside us, its pollen rising rapidly like small fish
in a vertiginous sea.
The olive dish

is passed around again. My father
sweeps crumbs
onto the grass with his hand. (He asks
the surgeon now and then, 'When it comes

again how will I know?') All this
light and still the incomprehensible
scrabble of things,
dark scribbles

that dim
the bright falling. Above,
the sky's open palm,
supplicating leaves.
 
 
While I was in NZ, staying out at Eastbourne with Mary and her family, rejoicing in  the view of Makaro Island, she gave me a copy (number 59/100) of her amazing little book - The Tenderness Of Light. The first book out from her own Makaro Press. 
Oh well - it is just a little stunner. One of the poems - After Reading Auden - won the Caselberg Prize two years ago.. 
Bad luck for you, the book is all sold out. But I have a copy - number 59.
I chose The Landscape because of its tenderness, because of its light.



Youtube reading here: http://youtu.be/fYQmikKpT0I

Monday, November 12, 2012

Tuesday Poem - Blood Love by Coral Carter





Blood Love

I met my cousin
on Wilson Street
at 16 he dived
into a rock
did time in a chair
now walks with a stick
feet twisted out
like Charlie Chaplin
but no one is laughing
we met last
at uncle’s wake
the ghost of our grandmother came
cursed as she poured the whisky
down the drain
the girl cousins
sang sad movies in their underwear
our cousin broke down
said we didn’t love him
we said
blood love
is deep and red
it stains
that was before another cousin
wrestled him to the ground
in front of 36 Varden Street
to take his keys
not that he had a driver’s licence anyway
we rang a taxi and sent him home
we remembered his father
who won the lottery
drank 12 longnecks a night
until his brain dissolved
my cousin doesn’t drink too much now
he has given up on women
they drove him to it
happier alone
his daughter – up north
his sister – round three with cancer
he wears the Aboriginal colours on his wrist
a twenty year old hat
black jeans skinny legs
I met my cousin on Wilson Street
not the kind of bloke
some would want to meet
but
blood love
is deep and red
it stains.



Here is a poem from Coral Carter’s new book – Descended From Thieves – which she just launched in Melbourne (with my book Ungainly) and in Port Augusta. I think there are launches coming up soon in Kalgoorlie, where Coral lives, and in Perth. As Coral said – “Everyone wants the free wine.” Or something very like that.

http://www.mullamullapress.com/



Monday, November 5, 2012

Tuesday Poem - A Night At The Theatre by Jennifer Compton








A Night At The Theatre

The play was bad.
The set was bad.
The actors were very bad.
The directing was bad.
The lighting was bad.
The sound was bad.
I wanted to leave at the interval
but my husband said — No, it's rude.
The supper? The supper was good.


Here is a little poem from my new little book - 'Ungainly' (Mulla Mulla Press). I am still reeling from an amazing double launch with Coral Carter's 'Descended From Thieves' (Mulla Mulla Press) at Collected Works in Melbourne. 
'Ungainly' is a little jeu d'esprit, a tiny drama, a wee farouche farrago.
Warning - Contains Traces Of Tobacco.

Monday, October 22, 2012

Tuesday Poem - The Bowsprit Chronicles by Sue Wootton



The Bowsprit Chronicles

I gaze where the ship points me. On up-swells
I glimpse clouds; swinging down, I peer
into the keel-split water. I am always proud,
even disdainful: I slight porpoise and albatross
without favour. I am the sailor’s muse, the ship’s courage.
This fact sings in my cedar blood.

I go first. The lady leads the way. There are zircon harbours
in the tropics into which I glide: a queen with her retinue
of masts and flags and white sails, sailors skimming
up and down the rigging nimble-footed, alive with the prospect
of grog tonight and easy women. While they are gone
I refuse to miss them.

I give them my best smile next morning as they saunter to the dock.
My best cracked maiden’s wince. I go first. Out of the harbour,
feeling the weight of fresh water in the holds, goat meat
and pineapples, the sailors with their sore heads and balls
hauling on the mainsail, singing shanties to banish
their fear of the sea.

When the ocean’s rough I sew it: in and out, in and out,
the interminable waves like oncoming satin,
vast nightmare curtains swishing and swashing,
slippery, the seam refusing to close, raw unmatchable edges
fraying as soon as I touch them. I will tell you now
my salted secret:

even with arms to gather the winds to my cleavage;
even with fingers to smooth the rucked fabric of the sea;
even with tongue to sing every lullaby I ever learned
from drowning sailors as their lips were greening –
even with these scented skills, I could not hold these storms.
I go first: into the reef if necessary.


I had the very great pleasure of hearing Sue read at the Thistle Inn on my last night in Wellington recently. This poem comes from her first collection – Hourglass (Steele Roberts 2005). Sue told me she checks out the poems I post from time to time, so now I am really on my mettle to seek out wondrous work, work that really brings me out in a sweat or gets my blood boiling so I may amaze her. There is nothing quite like poetry, I find, to usher amazement in.
http://suewootton.co.nz/

Tuesday, September 25, 2012

Tuesday Poem - Damp little Oedipus by Helen Lehndorf

Damp little Oedipus

The bed is a boat, filling with, filling with—
we are trying to launch into sleep
limp, limp, lull and skull
hot, close night—95% humidity,
5% humility,
0% humanity

His naked six year old body in the lamp-
light taking up the bed. Breathing the air
holding my cheeks in his hands, using
my breast for a pillow, grinding grinding his knee
into my thigh. We tried so many times
to put him back to bed but he was so hot
he sprang back, he would spring up
and we keep finding him here,
right in the middle of us.

He is clam,
all clammy and cling-cling.
You peel him off the bed:

'Damp little Oedipus', you fold him in a sheet
and mail him back to bed, you wedge his door
shut with James Joyce's 'Ulysses'. He goes
cry,cry,cry but we select deafness.

We are finally drifting off and then I wake us up to say
'What are you thinking about?' and you say
'Computer hardware' and make a small
mock-orgasmic sound.


Sunday, September 16, 2012

Tuesday Poem - James Dean by James Norcliffe



James Dean


When the workmen had finally finished cutting the heavy black rubber tubing from the machine, they retired to a bench for a smoke.

One sat apart from the others with a faraway smile on his face. He was shirtless and his upper body was bronzed and shiny.

When he leaned into the circle of his hand, a match flickering there, I saw at once that this was James Dean.

He sat alone then, smiling, his cigarette like a tiny white exhaust pipe, dangling from his lower lip.

I wanted to speak to him, but I was too shy. He was already famous. I wanted to warn him of the flickering flame, the drifts of smoke.

But it was not possible I knew. I was too shy to attempt more than a small nod and a half smile, which he did acknowledge with a tip of his finger.

Besides, he would have thought I was referring to his Lucky Strike. Besides he was writing his own story, and it was his alone, not mine.


Here's another lovely poem I found in the latest edition of Poetry NZ.