Breast Imaging
I
see the bird first,
her
head snuggled down
into
the green of herself.
Her
tail is a handle.
A
handle to hold a bird.
A
handle to tether a breast.
This
is a breast made of stone.
*
A
pyramid
of
apples, untouched,
and
a woman,
calm
and complete
as
a dinner plate,
her
face floats
just
below the black glass.
*
I
bivouac near the window
far
away from the man.
Beside
him
a
frail statue,
her
two small breasts.
I
gift him the dark woman,
her
two blind breasts.
*
Are
you here for review?
There
is always a talker.
My
companion is clean-limbed
and
bronze-skinned,
folds
her vowels like a venetian blind,
her
bones are strong
as
handrails.
*
She
navigates, close as a lover,
captures
black bubbles,
maps
echoes,
locates
a white button
like
a core in the dark.
She
wipes clear gel
off
my skin.
*
The
orchids are rising
from
the river of black glass.
I
can feel the heartbeat
of
the ceiling. The talker’s beside me
in
a wheelchair. The orderly
kindles
the lift.
We
descend.
Breast Imaging is the pick of the poems for me in the new issue
of Australian Poetry Journal. Susan Fealy is a Melbourne-based
poet and clinical psychologist (to quote from her biography) who
began writing regularly in 2007.
of Australian Poetry Journal. Susan Fealy is a Melbourne-based
poet and clinical psychologist (to quote from her biography) who
began writing regularly in 2007.
The slow watchfulness of this poem is quite breathtaking. I love the gentleness of the 'gifting', the closeness, the heartbeat of the ceiling. Thanks for sharing, Jennifer and Susan.
ReplyDeleteThat's a powerful poem, Jennifer. It seems to build in intensity, like vignettes coming together to form one powerful, yet still understated in some sense, whole.
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